Junk In And Junk Out

As a teacher and writer, I’m constantly thinking about the trap of social media, how much time it takes, the emotional trade off, and how little I learn, all of this balanced by the relationships I make online (which I do value). So is it worth it?

I also think a lot about how much we consume in our culture – entertainment-wise – rather than create, the scales not being balanced in the least. I worry about each time I zone out watching a screen for more than a few minutes. If I want to create, and to create quality work, I have to consume less and create more. And when I do consume, it has to be high-quality art (great books, poetry, lyrical rappers, paintings, sculpture, essays, etc.).

But that’s me – how I would say it. Here’s someone else’s voice…

Quoting Benjamin P. Hardy (from Medium):

“Invest At Least 80% Of Your “Off” Time Into Learning

Most people are consumers rather than creators.

They are at work to get their paycheck, not to make a difference.

When left to their own devices, most people consume their time as well. It is only by investing your time that you get a return on that time.

Nearly every second spent on social media is consumed time. You can’t have that time back. Rather than making your future better, it actually made your future worse. Just like eating bad food, every consumed moment leaves you worse off. Every invested moment leaves you better off.

Entertainment is all well and good. But only when that entertainment is an investment in your relationships or yourself. You’ll know if it was an investment if that entertainment continues to yield returns over and over in your future. That may include positive memories, transformational learning, or deepened relationships.

Even still, life isn’t purely about being entertained. Education and learning is also key. And although both are essential, education will provide far greater returns in your future.

The world’s most successful people are intense learners. They are hard readers. They know that what they know determines how well they see the world. They know that what they know determines the quality of relationships they can have and the quality of work they can do.

If you are constantly consuming junk media, how can you possibly expect to create high value work? Your input directly translates to your output. Garbage in, garbage out.”

Pretty good, right? Blunt and to the point, but accurate.

On the topic of high-quality art, here are three novels I’ve read this year that were incredible:

1. Zadie Smith’s NW (Note: the structure of this book is so mind-blowing, it could never be made into a movie.)

2. James Welch’s Fools Crow (US and native history collide with fiction – I’ve thought about the perspective in this book every day for two months, since I finished it).

3. Kent Haruf’s Our Souls At Night (I don’t know if I’ve ever read protagonists as real as the ones in this book).

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Two-Minute KLCC Radio Review Of My Latest Novel

Cover for Too Shattered

Here’s KLCC’s Connie Bennett reviewing my latest novel, Too Shattered For Mending (Knopf, Random House):

Click to read or listen to the two-minute review.

“Failure as Fuel, Staying Hungry, and Wolf Naps” – PBH on the CNF Podcast

Here’s my new interview on The Creative Nonfiction podcast with Brendan O’Meara:

Click to listen.

New Interview On Too Shattered, Failure, and What’s Next

This interview just came out today. I talk about my new novel Too Shattered For Mending, what a real writing process looks like, having no talent, hip-hop, and my next book – An American Afterlife:

Click to read.

A Few Good Book Recs

I was asked for a few book recs in an email yesterday, and I realized that I should probably share my response since I love it so much when people tell me about books they’ve enjoyed. Here’s what I wrote:
“This year, I loved The Underground Railroad by Colson Whitehead (National Book Award), Claudia Rankine’s Citizen (National Book Critic’s Circle Award for Poetry – although it reads more like essays), James McBride’s The Good Lord Bird (National Book Award), Kevin Barry’s short story collection Dark Lies The Island, and Welch’s The Death Of Jim Loney (which felt eerily close to my current mental state with a brain injury).
Bryn Greenwood’s All The Ugly And Wonderful Things was DISTURBING but she wrote it beautifully.
Also, I’ve read ten of the Best American Short Stories collections.
Girl In Pieces by Kathleen Glasgow was hard but good as well.
In the last few years…I loved all three Patrick deWitt novels + Lean On Pete & The Motel Life by Willy Vlautin.”

Best Author’s Bio Ever

medium

Recently, I’ve been reading as many of the Best American Short Stories anthologies as I can. With 20 stories by 20 different authors in each addition – edited by a different guest editor each year – they’re all excellent. I’m entertained while also learning from the various styles and techniques of these award winning authors.

I’m not reading the collections in any particular order, just reading whatever anthology I find next at my used bookstore or library. That’s how I came across the 1998 edition, guest-edited by Garrison Keiller. It includes incredible stories by Annie Proulx, Carol Anshaw, Akhil Sharma, and others, but it’s the authors’ bio sections that really caught my eye in this edition, because a short story writer named Poe Ballantine wrote the best author bio I’ve ever read.

Since it’s not available online, I’m going to retype his bio for you right here:

“I am forty-two. College dropout. Live in a motel room. I generally move every year, but I am tired of moving and I like this room so I think I will stay another year. I have had lots of odd jobs, mostly cooking. I worked at the radio antenna factory just across the tracks for a while, then sold a couple of stories, so I quit March 5, and if I live on $400 a month and this wisdom tooth coming in doesn’t knock the rest of my teeth sideways, I will be able to write until August.”

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New Piece On Censorship – Huffington Post

I’m writing for The Huffington Post again (after a three year break). Here’s my new piece on censorship:

“Should We Censor What Teens Read?”